Ghostopolis: Good for 12 & 44-Year-Old Readers

                Ghostopolis has been floating around for a couple of years now and for some strange reason –strange because I very much enjoy graphic novels- I hadn’t turned my attention to it until recently. Even then, I trotted the book out for use with a group of my students thinking to use it as a bridge to more “serious” texts. Well, shame on me -especially, me! I’ve been a fan of words married to pictures, comics and graphic novels, my entire life and I fell into the prevailing bias so many seem to have for these authored works –that they’re something to pass the time, not worthy of heavier examination and reflection. Ghostopolis set me right. More importantly, it connected with many of my students, helping them go below mere surface reading.
                Ghostopolis is the story of Garth, a boy who has an incurable disease, and is accidentally pulled into the world of ghosts. There he meets his grandfather who looks almost as young as he does. His grandfather provides Garth with the lay of the land: how Ghostopolis came to be, why many ghosts sneak back to live among the living, how Vaugner (our villain) rose to power, and how Garth as a living being among the non-living has amazing abilities as long as he employs his imagination.
                While the plotted events in the novel are straightforward, the story message is less obviously given; and those students who opted to read Ghostopolis soon learned to become careful examiners of what was depicted and what was repeated. Ghostopolis, because of its illustrations, helped my developing readers examine the literary elements of theme and symbolism more readily. They were able to identify the repetition of loss in the story and eventually connect it to character redemption by the end. Characters clothed in pilot outfits were looked at much differently once they began to consider the symbolic qualities behind such uniforms. (These are people we trust to help us reach a destination.)
                While much of this may seem heady and dour, Doug Tennapel did a terrific job of weaving in plenty of humor. In fact, I wouldn’t be surprised if younger or less scrutinizing readers mistook the book for simple, comedic adventure. Better still, the novel left my students clamoring for more. Each wanted to know if there was a sequel. Is there a better complement for a book than having readers desiring to read more of it? I think not.

What Glastonbury Teachers are Reading the Summer of 2010

     Most of the Language Arts and Reading Teachers in Glastonbury are reading Donalyn Miller’s work The Book Whisperer. The book is intended for educators, and while not entirely accessible to those outside of the educational field, its message is laced well enough throughout the work as to be understood by anyone. Miller’s contention is that children become excellent readers by reading, reading a lot. This comes across, in print at least, as too plain of a claim to possibly be accurate, but it is the bare bones of her argument.
Miller explains that reading in her classroom occurs daily for as many hours as she can squeeze in. Students are surrounded literally by thousands of books and have the goal of reading 40 books before the school year is complete. They are given freedom to make book selections within specified genres, and Miller works to see that the student study each genre to learn about which ones speak to them best. Miller holds herself to similar standards during the process. She reads with the children, takes their recommendations, and shares her development as a reader.
     It was difficult to not nod in agreement regarding much of what she holds true about inspiring students to become phenomenal readers. Choice is very important. She points out that many adults can point to several books they had to read in school and disliked immensely. A teacher that reads with his or her students unequivocally demonstrates the importance of the act. It’s not do as a say, it’s do as I do.

Here are some other key points, without the details, which she makes:

· reading should be uninterrupted for longer durations of time

· adult and peers recommendations are critical to finding books that speak to us

· classroom libraries are important and should be as large as possible

· quitting a book is okay as it reflects adult practices

· whole class novels are well-meaning but often counterproductive

· time taken from reading is to be careful considered for its comparative value

· students rarely read at home despite appearances

     I love to read. I read every single day for at least an hour. I find myself making connections between books, the news, movies, and personal experiences often and easily because of my continual reading. There’s no doubt in my mind that heavy readers succeed far more than fail in school or out of school. Miller’s book was therefore pretty much up my alley.
     I do hold a few reservations about her book. A few. I did not feel Miller did enough to explain the instructional activities that occur in her classroom over the course of a school year. She touched on a great deal without providing specific examples. Explanations about writing instruction and practice seemed to be lacking too. I also didn’t see much in the way of how she might work with her lowest students. Again, she merely touched on this.
     Despite these small qualms, Miller’s book is testament to what it means to be a reader. Reading goes well beyond standardized tests and letter grades. And, by the way, Miller points out repeatedly that her students “ace the standardized test” given to all Texas 6th grade students. Read and be rewarded.