Maybe I'm ready to retire from reality, because this posting somehow manages to tie together a novel reading experience with the Great Pumpkin Storm of 2011.
Like so many families in Connecticut, I found myself up most of last Saturday night into Sunday morning, held hostage by the periodic sounds of loud cracking followed by thunderous BOOMS as limb after limb crashed around my property. My family and I went 5 days without precious electricity and despite the loss of power, I had a ball. It wasn't all perfect by any means, but it wasn't terrible -not even
close. I saw and got to be a part of many small and sizable gestures of
kindness. I also got to experience a new form of reading.
But first, a small side-trek into how our family got through the storm and its aftermath.
Somewhere under the greenery and limbs is my home. |
There was something very pleasing, to this guy at least, with having to confront the moment at hand and not worry about work schedules, traffic, the kids' soccer games, and other modern obligations. Without power, we had to scramble for heat, lighting, and preservation of food. We packed items in coolers using the snow, relied on a Napoleon stove and our fireplace for heating and cooking, and used a mish-mosh of candles and rechargeable lanterns for lighting. I love challenges like these. We lost very little food and managed to eat some great meals cooked by grill, heating stove, and fireplace during the week. We're still talking about the potatoes baked in the coals of the fire Our family of five, spent nights on the main floor tending to things, staying warm, and mostly getting along. We even told spooky stories on Halloween.
It took 3 days to clear all the debris about the house and this happened with the help of our kindly, chainsaw-wielding neighbors. (In my dreams, the neighbors usually chase me with these, but this past week they seemed content focusing their attacks on the downed limbs.) My family and I returned the favor to others when we could and most days flew by as each task needing doing got done.
Survival moments aside, there were opportunities to read and see books, because part of most days were spent walking to Barnes and Noble in town. The primary goal was to recharge our electrical items. The second goal soon became one of sharing stories with neighbors and friends, who happened into the store for similar reasons. When those two missions were finished I was freed to explore books. Trapped in a bookstore for a week? That's the stuff of dreams for a reading teacher! While I perused many books, one experience really floored me.
We'd dragged our laptops, iTouches, Kindles, and iPad to the store planning to take advantage of the free Wi-Fi. At one point, when I was tired of roaming and chatting I decided to see what free reading materials I could pull down onto our iPad. I've loved stories told with pictures since I was a child and soon found myself exploring a site that offers loads of free comics. The comics on this site are specifically fitted to an iPad window and look great.
Zeroed in on one part of a full panel. |
Doing this proved eye-opening.
I sat stunned as the rest of the page disappeared and -like a camera zeroing in on one face in a crowd- the single panel of art and words became the focus. Incredible!
I can sometimes turn to skimming when I read a lot in one sitting. Comic books are especially easy to do this with. I focus on the words but use the images to skip along at points. This new format of delivery the story stopped all that, instantly. I was memorized and spent extra time and attention on the word flow and artwork. I should probably add that it made me feel like a kid again.
It's difficult to explain, in print, how dramatic an effect this had on reading the story. The best I can offer as comparison is to think of any news/magazine or documentary show on TV you've watched where still photos are shown very close to the screen and a camera pans slowly to different parts of it as narration unfolds. That was how this went on the iPad each time I read, then tapped, a panel. And, the camera movement wasn't always simply from one panel to the next. Sometimes the top of a large panel was the focus then -tap- the bottom of the same panel was panned to. Or, a small section of a character's face would be the lone focus before panning back to reveal the entire face and body. In one instance, the speed at which the panning happened was accelerated to underscore the moment a punch landed.
So, for this slightly daft Nutmegger- the Great Pumpkin Storm was one I'll look back at fondly.
If you own an iPad, and are even vaguely interested in experiencing this reading approach for yourself, then head over to ComiXology, download the app, and explore some free comics.